Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Monday, December 16, 2013

The King Down Under



Before the stardom, the army, the goofy movies, the entourage, the spangled suits, the karate moves and Las Vegas, there was an ambitious young singer from Memphis, Tennessee. 











Elvis at 21, an exhibition of photographs by Alfred Wertheimer
at the National Portrait Gallery in Australia
until March 10, 2014

Sunday, December 8, 2013

Gear dress



The Beatle dress, circa 1964









Saturday, November 30, 2013

Love Letters





Many artists have covered the song, Love Letters, but Ketty Lester's version was selected by David Lynch for the end shootout scene in his 1986 film, Blue Velvet. The song builds slowly, but never reaches a dazzling finish. Instead, Lester sings in a measured, deliberate style like a girl fully in control of her emotions.




Friday, November 22, 2013

Sweet Jane







Edited...




Original.




Monday, November 18, 2013

Mr. and Mrs.





Louis and Lil
and
Louis and Lucille














Thursday, November 7, 2013

Photo source





Original album cover for Cassius, 1999



Re-imagined by painter Tomas Saliot





Perfection in an irreverent red kitchen


Love it!




Wednesday, October 23, 2013

Dancing party






Do you prefer reading or watching videos to learn something new?









Sunday, October 20, 2013

Born ready





In early 1956, Elvis Presley had already signed a record-breaking contract with RCA Records and wowed screaming fans on The Ed Sullivan Show. Very soon after, he was in talks with Paramount Pictures about his movie debut. Here, in his Paramount screen test, he lip-synchs Blue Suede Shoes with charismatic confidence. The impressed studio offered him a 3-picture deal on the spot. He was just 21 years old.






Monday, August 26, 2013

Capturing Igor




The composer Igor Stravinsky posed for many portraits in his lifetime.


Jacques-Emile Blanche, 1915 


 Pablo Picasso, 1920

 Robert Delaunay, 1918

Richard Avedon, 1969

Albert Gleizes, 1914


Tuesday, July 2, 2013

Impulse






John Coltrane on Impulse! Records












Saturday, June 8, 2013

In the beginning



The opening titles for a James Bond movie are sometimes more exciting and interesting than the main attraction. 14 of the James Bond films title sequences were designed by Maurice Binder, beginning with Dr. No (1962) in which animation, silhouettes and the James Bond 'theme' were first introduced.


Binder also created the iconic image of Bond as seen through a gun barrel.




Robert Brownjohn designed the brilliant titles for Goldfinger (1964), projecting live action onto various parts of golden girls. Shirley Bassey sang the title song, which was nearly nixed-- film producer Harry Saltzman hated it. With no time to replace the song with another, it stayed with the picture, went on to be a top ten hit across the globe and arguably the best in the Bond franchise.






You Only Live Twice (1967), Sean Connery's 5th turn as Bond is set in
Japan. The Binder title sequence features Nancy Sinatra for the title song,
her mild, thin voice glides over the montage of Asian girls and erupting volcanoes.
Despite a screenplay written by Roald Dahl, Connery seemed bored as Bond, and it showed.



Tuesday, March 26, 2013

Outside the box







It's better to be at the bottom of the ladder
you want to climb, than at the top of the one you don't.

—Stephen Kellogg, musician






Wayne White: artist, musician, designer, performer, puppeteer


Diana Vreeland: Editor, muse, critic, visionary, bon vivant


Two excellent and inspiring documentaries that bolster the ideas:


a. When you're really, really talented, and work really,
really hard, people tend to notice.


b. Innovators not only have great ideas, they effectively
communicate those ideas with imagination and boldness.






Sunday, March 24, 2013

Government-issued










Wednesday, March 6, 2013

How you like me now?




James Brown shares some moves.





Saturday, February 9, 2013

Life, with a soundtrack












Friday, January 11, 2013

A girl and her trumpet









Valaida Snow



Tuesday, November 27, 2012

Down at the end of lonely street






The song Heartbreak Hotel was released in 1956 as a single by Elvis Presley, his first recording with his new record label, RCAVictor. The song topped the charts, became Presley's first million-seller and was the best selling single of the year. In 2004, Heartbreak Hotel was ranked number forty-five in the Rolling Stone's list of 500 Greatest Songs of All Time.




I think the first record I bought was Little Richard's 'Long Tall Sally.' Fantastic record, even to this day. Good records just get better with age. But the one that really turned me on, like an explosion one night, listening to Radio Luxembourg on my little radio when I was supposed to be in bed and asleep, was 'Heartbreak Hotel.' That was the stunner. I'd never heard it before, or anything like it. I'd never heard of Elvis before. It was almost as if I was waiting for it to happen. When I woke up the next day I was a different guy.

—Keith Richards


Before I actually heard an Elvis record, I was aware of him as an image because I'd seen him in an ad for 'Heartbreak Hotel' on the back page of NME. They weren't playing much of Elvis' stuff on the radio in those days. To hear 'Heartbreak Hotel' I had to go into a record shop in Liverpool and listen to it through headphones in one of those booths. It was a magical moment, the beginning of an era. Listening to it that first time was the start of my Elvis experience. Of course it's an amazing song. Lyrically, for starters, it was a real shock. You have to remember that, in the mid-1950's, pop lyrics were mostly fodder. It was 'St Therese of the Roses' and 'How Much is That Doggie in the Window?' Then you heard Elvis singing, '...Where broken-hearted lovers do cry away their gloom.' I remember thinking how odd it was to hear the word 'dwell' in a song. It wasn't the kind of detail you'd expect. It was those little touches that made it different from anything I'd heard before.

—Paul McCartney



It completely changed the way I listened to music forever. It was just so primal. Everything before was beautiful arrangements and bands and singers and this was like...I'd never been around music like that, music that was so powerful. I'd certainly never heard an electric guitar played like that. I'd heard Les Paul and Mary Ford, but never heard anyone play like that. The echo on the record! Wow! I hadn't been around stuff like that. There wasn't anything else around like that, at least not in my family. There were no obscure blues singers or anything of that kind. The weird thing was, that week I'd been in the hairdresser's in Pinner Green looking at Life magazine and I'd seen a picture of this man I assumed must have come from outer space, but that was Elvis Presley. When I put the two together it was astonishing. He looked amazing and sounded amazing and it changed everything for me. It was rock n' roll! That was what I wanted to be.

—Elton John



Monday, October 22, 2012

Is it really so strange?




The Smiths albums from the Rough Trade Records label were radiant when they were first released in the 1980's, and continue to exemplify great design with a less-is-more sensibility. Their stark design with a single image, often in duotone, and bare minimum text hardly seems like a recipe for a sales-boosting package. But there's mystery in the image; evoking a vague memory, leaving a thread of a story, and the viewer spellbound.





Alain Delon in The Unvanquished, 1964


Terence Stamp in The Collector, 1965


Jean Marais in Orpheus, 1956


Joe Dallesandro in Flesh, 1968


Candy Darling in Women in Revolt, 1971


Morrissey has shared his profound fascination and encyclopedic knowledge of film and television during interviews. Their influence and inspiration can be found in the occasional borrowed screen dialogue for lyrics and song titles, as well as single frames from films for album covers.



Thursday, September 13, 2012

RCA Studio B













Elvis Presley recorded hundreds of songs at historic 
RCA Studio B in Nashville, Tennessee.